Category: Tutorials

Is It Time To Abandon 44.1kHz?

 

Ever since the release of compact disc in 1982, we’ve had 44.1kHz. Most of the music which has ever been released in a digital format has used this sample rate; millions of albums, both on CD and more recently as MP3 and AAC downloads. 44.1kHz has been with us for a long time but the question is, do we still need it in the modern world and why was it chosen as a sample rate in the first place?

44.1kHz Origins

During the development of CD, one of the requirements was that the format must be able to reproduce the entire audible frequency spectrum. This is generally quoted as being roughly 20Hz to 20kHz for human hearing. It was known from Nyquist’s Theorem that in order to reproduce any given audio frequency, the sample rate had to be at least double the highest frequency you wanted to reproduce. This meant that CD had to sample at a rate of 40kHz or higher in order to cover the audible frequency spectrum. In the early days of digital audio, storing the equivalent of a CD album worth of digital data on a hard drive wasn’t possible because the drives of the time simply didn’t have sufficient capacity. Video recorders were therefore re-purposed to store audio samples as black and white video signals. In the US, these video recorders ran at 30 frames per second and had 490 useable lines per frame (excluding blanking lines). It was decided that 3 audio samples should be stored per line of video.

3 samples per line X 490 lines X 30 frames per second. This gives us a total of 44,100.

In the UK, video recorders operated at a slightly different resolution and frame rate. Once again though, if you store 3 audio samples per line of video, the maths still works out:

3 samples per line X 588 lines X 25 frames per second. Again, we get 44,100.

As you can only store a whole number of samples per line (1,2,3,4,5 etc), 44.1kHz was the minimum sample rate possible in order to fulfil the nyquist requirement and also to allow for CD masters to be stored on video tapes.

The Two Families Of Sample Rates

By contrast, TV production and modern digital video workflows have always used 48kHz as their standard sample rate. Multiples of both 44.1kHz and 48kHz are also now fairly widely used. In certain workflows, higher sample rates can be of use. The two common sets of sample rates today are:

CD derived rates:

  • 44.1kHz
  • 88.2kHz
  • 176.4kHz

Video derived rates:

  • 48kHz
  • 96kHz
  • 192kHz

Why Do We Need So Many Sample Rates?

It’s evident that 44.1kHz was borne purely out of the technical constraints at the time of the development of CD. Its derivatives, 88.2 and 176.4kHz only exist because they’re mathematical multiples of it. As we move away from physical formats and into an era where most content is delivered electronically, is there really any reason to keep 44.1kHz? Obviously, we’ll need to retain the ability to work with legacy content at that sample rate and to be able to produce CD masters for as long as the format still exists, but shouldn’t we now just move to 48, 96 and (where required) 192kHz? I’m very interested to hear your viewpoints on this.

How To Get Songs Placed On TV And In Movies

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By Ari Herstand

Last weekend at the ASCAP Music Expo at the Loews Hollywood Hotel I attended the Music Supervisor panel containing 5 music supervisors who actively place music in film and television.

Over the course of my career, I’ve had about 30 TV placements (20 in the last year from my new record). I’ve gotten songs placed on high profile shows that are known for their music, like One Tree Hill and shows you’ve never heard of, where music is very much “background,” like Friendzone. And everything in between.

And I’ve also been 1 week away from having a song on So You Think You Can Dance. Contracts were signed. The only problem was, the contestant who was going to dance to my song got bumped. Balls.

There is no one way to get music placed on TV (or in film). In addition to how I’ve gone about it, I’ve spoken with many of my musician friends who make livings on song placements about this.

Music Supervisor

According to the Guild of Music Supervisors, the definition/role of a music supervisor is defined as:

“A qualified professional who oversees all music related aspects of film, television, advertising, video games and any other existing or emerging visual media platforms as required.”

Music supervisors are the actual people who take the cues from the producers and director when the “picture is locked” and underscore the picture with songs. The composer underscores the picture with original, scored compositions written specifically for that scene.

Sometimes (most of the time) music supervisors use the instrumental version and most of the time it’s just a small snippet of the song (however, now I have to brag a bit, One Tree Hill used all 3:43 of my song – words and music. But that’s very rare).

On the ASCAP panel sat Rebecca Rienks, who currently places music for E! (you know those promo montage spots that always seem to have Ryan Seacrest looking… Seacresty); Holly Hung, who primarily places music in film trailers; Jeff Gray just finished a feature film; Lindsay Wolfington (who placed me in One Tree Hill), mostly works on TV shows; and the moderator, Jason Kramer, is a music supervisor at Elias Arts, a music production company that specializes in original music composition and sound design for TV, films and commercials. Kramer is also a host on Los Angeles’ KCRW.

musicsupervisorpanel

They rapped for just over an hour about what types of music they look for, day to day challenges (mainly dealing with producers who say stuff like “can you make this more purple?”) and showed us some of the spots they’ve placed music in.

“As long as it fits and tonally hits everything that it needs to hit, it doesn’t matter if it’s an indie band, somebody not signed, somebody just dropped, if it works it works.” – Holly Hung, Music Supervisor

Hung told a story about working on a trailer for Extremely Loud and Incredibly Close.  She said they had a Coldplay song as temp music and she spent 3 weeks looking for a replacement for it. She scoured iTunes and found a band who had just gotten dropped by their label and the singer was currently working at Starbucks. She used the song and the band got $80,000 for the placement.

Getting Music To The Music Supervisors

As you can imagine, music supervisors get inundated with emails from people wanting their music placed. Be it musicians, licensing companies, publishing companies, managers or just fans of the supe (that’s short for music supervisor – and yes they have fans), supes can get overwhelmed and are very picky about HOW they will take submissions.

DO NOT ATTACH MP3s

There’s no correct way to get music placed, but there are a few incorrect ways. All supes on the panel said do not attach mp3s to an email. It clutters up their inbox and will go directly to the trash (and your email will probably get blocked).

How To Get Your Email Opened

Hung said to put who you sound like in the subject line. Like “Sounds like Coldplay.” Keep the body short and to the point and only send the songs that make sense for the project that supe is working on. So, DO YOUR RESEARCH. Do not send your tear-jerker ballad to Rienks who needs upbeat, fun, exciting music for her E! spots.

How To Get Your Song Listened To

In the email, include links to where the song can be quickly listened to (without having to be downloaded) where there is ALSO an option to download it if they want to use it. Also, directly below the song, include a link to the instrumental.

Wolfington mentioned that she loves Box.com. Box.com (unlike Dropbox) will open a window with a player and it has a download link in the upper right hand corner. Very convenient.

Do not include links to ALL of your music. Send the best 1-3 songs that will work for that supe’s current project.

If the supe wants more of your music, she’ll ask.

In the email, it may help to list a couple distinctive adjectives below each song or key lyrics. Like:

“Cold Water”
epic, explosion at end,
key lyrics: “I will find the artist inside me”
full wav: link to box.com
instrumental wav: link to box.com

And yes, always upload .wavs. Not mp3s. If the supe wants to experiment with your song in the spot, she isn’t going to want to have to REEDIT in the wav once she realizes it’s a low-quality mp3.

Licensing Companies

If you don’t have a publishing company, there are companies out there who solely pitch music to music supervisors. Unlike publishing companies, they do not own any part of your song. Similarly, though, they will not go hunt down your mechanical royalties around the world for you (like publishing companies will).

Some will take a back-end percentage of your performance royalties (like from ASCAP, BMI, SESAC, SOCAN), and others won’t. Some will work with you non-exclusively and others (the more established ones) will require you to work exclusively with them.

Typically licensing companies will take about 30-50% of the total sync fee and 30-50% of the back-end performance royalties.

Getting Paid

All network TV shows have a budget for music. Most higher profile cable TV shows have a budget for music. Most reality shows have a very tiny budget for music and will not pay you for the placement unless they have to.

Network TV shows will typically pay $3,000+ (depending on the spot and your level of clout). Cable TV shows will typically pay $750+ and reality shows on cable mostly pay indie artists nothing. Movies, trailers and commercials typically pay the most: $20,000+.

But these are very loose numbers. I’ve heard of major label artists getting $30,000 for a cable show and indie bands making $80,000 for a trailer.

Before you breakout the pitchforks for the reality TV show producers, you won’t NOT get paid EVER for these spots, you just won’t get paid up front. Meaning, many of these shows will ask you for the rights to place your music for free, knowing that you’ll make back-end songwriter/publisher performance royalties from your PRO (Performing Rights Organization – ASCAP, BMI, etc). If you get a bunch of these kinds of placements, they can really add up. It just takes about 9-18 months to see that check, though. These shows also (to compensate for their lack of payment) do a decent job of maximizing the band’s exposure. Most shows have an entire music section on their websites that list all music from each episode with links to iTunes and Spotify and to the bands’ websites. The Real World also puts the name of the song and the artist on the screen while the song is playing.

So, it’s not completely free. It can be pretty decent exposure.

And hey, if you don’t want to let them use your song for free, there is no one forcing you to.

Also worth noting, you don’t make any performance royalties when the movies are shown in theaters. There’s no legitimate reason why. It’s one of those messed up parts of the music business.

Pay To Submit Companies

There are companies like MusicXray.com, Sonicbids.com and Taxi.com who charge you to submit to music supervisors (oh you also have pay to become a member) for consideration. Taxi.com openly admits that only 6% of their artists get some kind of deal (who knows how many paid submissions they already submitted). But one of the music supervisors on the panel (I’ll withhold who) when asked about these companies, said, “it’s bad business.”

I’ve never actually heard of anyone getting a placement through these services. If you have PLEASE post it in the comments.

You have to see it from the supe’s perspective. They want music from people they trust, like licensing companies, publishing companies and musicians who they have a relationship with. Not some service that pushes out music where the only barrier for entry is a fee.

How To Get In The Door

Now that you know HOW to submit, how do you know WHO to submit to? Well, simple, do your research. The first handful of placements I got were from watching TV shows, noting the kind of music they used, looking at who the music supervisor was (they’re always listed in the ending credits – or on IMDB), Googling a bit to find their email, and cold emailing. Actually, I tweeted Lindsay Wolfington my song for One Tree Hill.

They’re all mostly on Twitter too.

Above all DO NOT SPAM them. This is a quick way to get blacklisted and blocked. Be polite and respectful. Make sure your emails are short and to the point.

If you don’t get a response don’t think they’re not interested. Wolfington mentioned that she puts all of these emails in a folder and when she’s looking for music, she sifts through the folder. So make sure your links don’t expire.

If you want to find a licensing company, there are a ton out there. Google around for a bit. Ask your friends who have gotten placements who they use. Check the credits of films to see who the song is “Courtesy of” – if it’s not a label, it’s most likely the licensing or publishing company.

I get asked all the time who are some good licensing companies out there, and the fact is, I don’t know all of them. I don’t know most of them. I’ve worked with a handful of them and have a few now who pitch me (non-exclusively), but it’s pointless for me to share this information because then the few licensing companies I know would get flooded by your emails. Do your research and find the company that’s the best fit for you.

Getting songs placed on TV shows and in movies is a highly sought after part of the music industry. Some musicians make their entire income off of it. Many companies do exclusively this. Like any avenue in the music industry, if you want to do well, you must put in the time necessary to master it. You can’t blast out 50 emails to 50 music supervisors and pat yourself on the back for a job well done. It takes years of building up relationships, networking and trial and error. And again, DO NOT send out music that is not right for the show (or underdeveloped). That gives a bad name to all self-pitching artists. Every time a supe gets an email from an artist with shitty music or music that is completely different from what she places, she is less likely to open another email in the future. Don’t hurt your fellow independent musicians. Be respectful and be professional.

 

Ari Herstand is a Los Angeles based singer/songwriter and the creator of Ari’s Take.

5 Ways To Get A Great Electric Guitar Sound On A Limited Budget

There’s is nothing better than recording a top guitarist using great gear, but some of us need to add some electric guitar to tracks now and again. We don’t have the money or can’t justify spending a fortune on a top guitar and amp, but is it possible to get a great guitar sound on a budget?

Here are our top 5 tricks that should help you get a great guitar sound on a limited budget;

Use An Amp

Try and record using a guitar amp whenever possible. Even if you have to borrow or hire a guitar amp, there’s nothing like the real thing. Amp sims have come a long way, but the combination of a real amp, the mic and the room will still give you a sense of space and dynamics that can’t be beaten.

Work The Mic

Try a number of different microphones. If you have little budget then you can’t beat the Shure SM57, then try moving it around in front of the amp until you get the sound you want. If you have the chance to try a few mics then set them up in front of the amp and then have someone move them around whilst you check the sound – if you have no control room then use a pair of headphones for this task. You will be amazed how different a guitar can sound as you move the mic around in front of the cab.

Keep Your Options Open

Track a mic’d version and a DI version at the same time, this gives you a lot of options in the mix. If nothing else adding an effect or another plug-in and mixing them together can give some great results. This is often done when tracking bass guitar but less so when tracking electric guitar.

Plug in To A Plug-in

There are some great amp sims out there in plug-in form. Sansamp ships with Pro Tools but  is often overlooked. There’s also a lot of FREE guitar amp plug-ins like Amplitube, Eleven Free and others. Do some searching and you’ll some cool free stuff for both Mac and PC. As a last resort download a demo copy for a session and use it – it’s not illegal, just smart if you only need it for a day!

Track More Than One Guitar

Whilst I’m not a fan of tracks with hundreds of guitar parts there is something to be said for playing several different parts, it’s partly down to the genre of music you are recording. If you only have one guitar part recorded then a nice trick is to make a copy of the guitar track and then slip it slightly on the time-line, then add a different sound to it using an amp sim. Finally pan them left and right. You’ll be amazed at how big one guitar can sound using this effect.

These are just 5 tricks for those just starting out or on a budget.

How about your tricks, we know some of the community have some real gems, please leave them in the comments section.

Here are a few more tips to get a better sound.

Double track with a capo
Double track the same inversion but with guitar in different tuning.
Double track with a different guitar.
Double track with a different player ( differences are good!)
Double track just the bottom string (or strings depending on the chords) gives you a more positive sound
A good pop punk sound is gtr 1 @ 8 o’clock, double track gtr (different guitar capo’d or different tuned) right @ 4 o’clock, single bass string centre
Split between 2 amps with one 57 on each and a stereo xy for the room
Speakers need to be driven but not so loud that the room is adding too much to the mic
Don’t ignore using practise amps, they can sound huge with the right treatment
learn the part and record at half speed ( be careful of the top end)
Double with an acoustic for that Keef sound
Commit fx to record as often as possible except reverb which if you have it as vital to your sound then you should record to extra tracks
Use only really good quality guitar leads. If it costs less than a tenner you need to really check your thinking
Stand up while playing. Makes a huge difference to the attitude
Even if you are recording in the control room wear headphones. This will enable the engineer not to have the monitors too loud and make accurate judgements about your sound
Mic the guitar even if its electric . (plectrum on strings can sound great mixed back)
USE A TUNER…..Preferably the same one as the other guitarist and the bass player.
New strings are great but for the night before.
Use loop record

I’m sure there are tons more of these type of tips

100+ Awesome Free Online Resources For Music Producers

100+ Awesome Free Resources for Music Producers!

Over the years, I’ve bookmarked hundreds of free online resources which can be incredibly useful if you’re away from your main music workstation. Things like online BPM counters, tuners, virtual instruments and web based music sequencers can be life savers when you’re making music or recording audio outside of your studio.

All of these free goodies are compiled here, in a huge list which is meant to be updated and improved with your help. I’ve also added some of my favorite tutorials, music theory guides and various other tools which can be helpful for music producers and artists. Feel free to submit your own favorite freebies in the comments section below!

If you prefer making music with free software which you can install on your computer, take a look at our huge lists of freeware VST/AU plugins and free VST host applications. We also cover free samples and loops in our daily updated news section. Enjoy!

Music Tools

Online Instruments

Free web based musical instruments.

Patatap | A free jamming and beat making tool.

Theremin | A free touch friendly synthesizer which works great as a dub siren.

WAVE-PD1 | Another touch friendly virtual instrument.

Tibersynth | Make totally weird noises and swooshes with your mouse.

Websynths | Powerful VA synthesizer with a built-in preset manager.

WebModular | Play a modular synthesizer in your web browser.

TrueGrid | A complex modular synthesizer with patch saving and audio export.

Tanguy | Virtual analogue synthesizer capable of processing external audio.

Patchwork | An awesome experimental modular synthesizer. Build your synth from scratch.

Acid Machine Beta | A pair of TB-303 bass modules and one TR-909 drum machine.

AngryOctopus | A collection of web-based virtual instruments (requires Java).

PatternSketch | Cool grid based sequencer with several kits and export functionality.

Tonematrix | A simple tone matrix from the makers of Audiotool.

Otomata | Another matrix sequencer for jamming and inspiration.

PulseBoy | Free Game Boy style tracker.

Seaquence | A totally weird generative music sequencer.

SiON FM Synthesizer WF-1 | Neat FM synthesizer with a mouse controlled filter.

WebSID | Browser based Commodore 64 style synthesizer.

MiniGoog | A Minimoog Google Doodle in celebration of Robert Moog’s 78th birthday.

Sample-stitch | Re-create iconic hip hop tunes with your computer keyboard.

Musical Keyboard | A really simple online piano keyboard.

Click here for our huge directory of freeware VST/AU plugins.

 

Online Drum Machines

WebAudio Drum Machine | Online drum sequencer with several kits and effects.

HTML5 Drum Machine | Create classic drum machine loops and export the results to WAV.

FL 909 | Free Roland TR-909 emulation.

808 | A simple Roland TR-808 kit for online jamming.

Sequence | Free drum pattern generator with over 100 free drum samples.

Monkey Machine | A simple free drum machine from the creator of MauSynth.

Qwerty Beats | Online drum machine with a freaky mouse controlled synth.

JS-909 | Web based drum machine (requires QuickTime).

Drum Kit | You, your computer keyboard and 26 weird samples.

Sound Generators

Bfxr | Creates 8-bit sound effects which you can download in WAV format.

Text to Speech | Convert any text to speech and download the result as an MP3 file.

Online Tone Generator | A handy test tone generator.

Sweep Sine Tone | Sweep tone generator for testing your monitors and room acoustics.

Noisli | A wonderful background noise generator to help you relax and focus.

Defonic | Another free noise generator to help you relax.

Online DAWs

Audiotool | A modular online music studio with a set of virtual synthesizers and effects.

AudioSauna | Free online workstation for making music on the go.

Soundation Studio | Online sequencer with audio and MIDI processing.

TwistedWave Online | A free online audio editor for editing mono audio files.

Free DAWs

Studio One Free | Free edition of Studio One, no VST support.

Podium Free | VST plugin support, limited to a single CPU core.

>> Click here for our round-up of freeware VST host applications.

>> Click here for our in-depth list of downloadable free audio editing software.

Online Collaboration

Splice | Online platform for music creation and sharing.

Indaba Music | Free online music collaboration platform.

Ohm Studio | The first free online collaboration platform for musicians.

Blend | Collaborate online and create remixes (powered by Dropbox).

Kompoz | Collaborate with musicians from around the world.

Livegit | A free online collaborative DAW.

JAM with Chrome | Jam with your friends in Google Chrome.

Plink | A fun way to pass time and make music with total strangers. 🙂

Ear Training

EQ Your Ears | Identify specific frequencies with this online tool.

EQ Match | Simple graphic EQ trainer.

Note Ear Training | Identify notes by ear.

Pitchimprover | Absolute pitch training.

The Music Intervals Tutor | Recognize music intervals by ear.

EarTeach | Various ear training utilities.

Blind Listening Tests | Various tools to test your ears.

Other Tools

Interactive circle of fifths!

Autochord | Chord progression generator based on key and playing style.

Interactive Circle of Fifths | An easy to use online circle of fifths.

Interactive Frequency Chart | Interactive frequency chart with an ear sensitivity graph.

Metronome Online | Free online metronome and tone generator.

Tap for BPM | A free tap tempo tool to calculate BPM.

Music Calculator | Convert BPM values, calculate transpose ratios, etc.

Tunerr | Free tuner tool which uses the microphone input on your computer.

Online Guitar Tuner | A simple online guitar tuner from Fender.

Pedalboard.js | Process the line-in of your sound card with four guitar FX pedals.

Guitar Tab Creator | An online guitar tab making tool.

Noteflight | A powerful music notation platform which runs in the browser.

Blank Sheet Music | Create and print blank sheet music for free.

Free Sounds

Free Samples

99Sounds | Free sound design label offering free sound effects and instrument samples.

Freesound Project | Download thousands of royalty free sounds.

Loopmasters | Offering a royalty free pack with 500 MB worth of sounds to subscribers.

Prime Loops | Get 500 MB worth of free audio loops and samples on their freebies page.

A Sound Effect | Over 2 GB of free sound effects and field recordings in a single download.

NHF Sample Pack 002 | Over 3 GB of royalty free sounds crafted by Neurohop Forum members.

Converse Sample Library | A huge collection of stems and one shot samples, completely royalty-free.

Goldbaby | Legendary collection of free drum machine samples.

AfroDJMac | Over 100 free instrument racks for Ableton Live.

Sonatina Symphonic Orchestra | Free orchestral sample library.

NASA Audio Collection | Tons of sounds from NASA space missions. Also available on SoundCloud.

Acoustic Drum Samples | Our huge archive of free acoustic drum sample packs.

Free Patches

Rekkerd | A huge archive of free patches for virtual instruments.

KVR Audio | Database of patches and sound banks submitted by KVR Audio members.

AudioBombs | A fresh archive of free synth patches and sound banks.

BigTick Zen | Manage and launch all your synth patches from a single plugin.

>> Click here for our list of freeware virtual synthesizers in VSTi plugin format.

Tutorials

Music Production

Introduction To Music Production | Free music production course by Berklee College of Music.

How To Make Electronic Music | An epic intro to electronic music production.

EQ Masterclass | In-depth series of EQ tutorial videos by ADSR.

Thinking inside the Box | Great beginner’s guide to EQ.

Compression 101 | Great beginner’s guide to compression.

Compress to impress | Compression tutorial for the electronic musician.

Kim Lajoie Blog Dump | PDF archive of Kim Lajoie’s music production tips.

3 Mixing Secrets From The Legendary Andy Wallace | A reminder to keep it simple.

Synthesis

How to Make a Noise | A legendary free eBook guide to synthesizer programming.

Synthesis Fundamentals | Free tutorials for absolute beginners by the Bob Moog Foundation.

Synth Student | Beginner’s guide to subtractive synthesis.

Synthesis types | Understand different types of sound synthesis.

How To Bass | A series of tutorials for creating heavy bass sounds (by SeamlessR).

Syntorial | Software for learning synthesis. First 22 lessons are free.

Music Theory

Music Theory for Musicians and Normal People | A lighthearted intro to music theory.

Ravenspiral Guide to Music Theory | One of the finest free music theory books (here’s the PDF).

Music Theory: The TL;DR Version | Music theory guide for EDM producers with short attention spans.

Music Theory for Songwriters | A comprehensive guide to music theory for songwriters.

Open Yale Courses | A useful collection of free music video courses by Yale University.

10 Chord Progression Tips | Interesting chord progression tips from a jazz musician.

Music Theory Cheat Sheet | A handy TXT file cheat sheet for music theory.

More Goodies

Making Music | Free chapters from Ableton’s epic book for musicians and music producers.

A Club Track’s Frequency Map | A cool print friendly frequency chart by FutureMusic.

EQ tips Cheat Sheet | EQ cheat sheet available for download in PDF format.

RealTraps | A guide to testing room acoustics with free software.

D/A and A/D Digital Show and Tell | Explains various digital audio myths.

Artist Toolbox

Streaming Platforms

SoundCloud | The most popular online platform for uploading and sharing your music.

Bandcamp | Build your artist profile and share your music with your fans.

sfx.io | The Imgur of audio, a quick way to upload and share your music.

Online Marketplaces

AudioJungle | The largest online marketplace to sell your music.

iStock | Sell royalty free stock music and recordings.

Pond5 | Another online marketplace for selling royalty free music.

Synthmob | A marketplace for synth presets, audio loops and samples.

Sampleism | Sell your samples and other sound design work.

Backup & Productivity

Wavestack | Backup your recording sessions and share them with collaborators.

Dropbox | A great free solution for backing up your files online.

Hive | Upload and share your music and other materials.

Evernote | Take notes of all your projects and ideas in one place.

Trello | A great tool for managing your projects and collaborations.

Google Keep | Use this online note saving tool to keep track of your ideas and tasks.

Toggl | Time tracking utility to help you stay focused and measure your productivity.

Pocket | Easily save online resources (such as this article) for offline reading.

Graphic Tools

Artwork Creator | Create your album artwork for free.

CD Cover | Make a simple CD cover with your printer and a bit of paper.

Hipster Logo Generator | A free logo generator. Also works for simple album art and covers.

Squarespace Logo | Another simple logo generator.

Facebook Cover Collection Freebie | Nice looking PSD templates for Facebook cover images.

Pixlr | Great free online image editor similar to Photoshop.

Canva | Incredibly cool free graphics editor to make covers and promo images.

Video Tools

Sonic Candle | Completely free tool to generate an HD music video with a spectrum display.

Audio Visualizer Creator 2.0v | Free music visualizer generator (requires Adobe After Effects).

Blender | Free alternative for After Effects. Loads of tutorials available on YouTube.

Website Tools

WordPress.com | A powerful free blogging and blog hosting platform.

Strikingly | Build a beautiful looking free portfolio or artist website in minutes.

FourFour | Free website platform made specifically for musicians.

Flavors.me | Make a free artist website with links to your social media profiles.

MailChimp | Build a free mailing list for up to 2000 subscribers.

SharedCount | Monitor the social media stats of your releases or artist profiles.

 

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Read more: 100+ Awesome Free Online Resources For Music Producers

Welcome My Friends – To The Show That Never Ends !

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You have arrived at the web location for Larger Than Life Entertainment. We are dedicated to getting you the best entertainment for your event.  Contact us for a quote and booking availability for 2016 and 2017. We specialize in all types of Entertainment, Live, DJ, Special Events such as Trivia Nights, Vinyl DJ Shows, Bands, Duo’s, Comedy Nights, and many other entertainment events. We also post and recommend information directed towards the performers and crew, and interested viewers of the Music and Film Industry. Check back often as we post and update on a regular basis with helpful, useful information that will definitely keep you up to date in the entertainment field. Thanking you in advance for your viewership and please post or reply to an article if you would like more information or you have something to say to us or our readers.